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| August
2007 |
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BOOK |
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The
Polysyllabic Spree |
| (Nick
Hornby) |
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| The
Polysyllabic Spree collects a year's worth of
Hornby's
riotous and informative "Stuff I've Been Reading"
columns from The
Believer, in which Hornby lists the books
he's read, along with what he bought and may one
day readamong them, gems from George
Saunders, Zadie
Smith, Michel
Houellebecq,
Janet Malcolm, Jim
Shepard, and Haruki
Murakami. He ably explores everything from the
classic to the graphic novel, as well as poems,
plays, and sports-related exposés. And if
he occasionally implores a biographer for brevity,
or abandons a literary work in favor of an Arsenal soccer match, then all is not lost. His warm and
riotous writingfull of all the joy and surprise
and despair that books bring himreveals why
we still read, even when there's soccer on TV, a
pram in the hall, and a good band playing at our
local bar. |
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| All
proceeds from the book will be split between 826NYC,
a writing center in Brooklyn offering free classes
to students between the ages of 8 and 18, and Treehouse,
a London-based charity for kids with autism. |
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FILM |
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| Perfume:
The Story of a Murderer |
| (rated
'R' for aberrant behavior involving nudity, violence,
sexuality, and disturbing images) |
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| Jean-Baptiste
Grenouille, born in the stench of eighteenth century
Paris, develops a superior olfactory sense, which
he uses to create the world's finest perfumes. His
work, however, takes a dark turn as he attempts
to preserve scents in a quest for the ultimate fragrance. |
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| A
Mighty Heart |
| (rated
'R' for language) |
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| On
January 23, 2002, Mariane
Pearl's world changed forever. Her husband,
Daniel,
the South Asia Bureau chief for The
Wall
Street Journal, was researching a story
on shoe bomber Richard
Reid. The story drew them to Karachi,
where a go-between had promised access to an elusive
source. As Danny left for the meeting, he told Mariane
he might be late for dinner. He never returned. |
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In
the face of death, Danny's spirit of defiance and
his unflinching belief in the power of journalism
led Mariane to write about his disappearance, the
intense effort to find him, and his eventual murderer
in her memoir, A
Mighty Heart: The Inside Story of the al-Qa'eda
Kidnapping of Danny Pearl .
Six months pregnant when the ordeal began, she was
carrying a son that Danny hoped to name Adam. She
wrote the book to introduce Adam to the father he
would never meet. Transcending religion, race and
nationality, Mariane's courageous desire to rise
above the bitterness and hatred that continues to
plague this post 9/11 world serves as the purest
expression of the joy of life she and Danny shared. |
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| Starring
Academy Award® winner Angelina
Jolie (Girl, Interrupted) as Mariane
Pearl, and Dan
Futterman, Oscar®--nominated for his Capote
screenplay, as Daniel Pearl, A Mighty Heart
is directed by Michael
Winterbottom (The
Road to Guantánamo, Tristram
Shandy) and produced by Brad
Pitt and Dede
Gardner for Plan
B Entertainment (Year
of the Dog, The
Departed) and Andrew
Eaton for Revolution
Films (The Road to Guantánamo).
John
Orloff ("Band
of Brothers") wrote the screenplay. |
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| In
addition to Jolie and Futterman, A Mighty Heart
stars Irrfan Khan (The Namesake), Tony Award
winner Denis
O'Hare ("Take Me Out"), Archie
Panjabi (Bend
It Like Beckham), Will
Patton (Remember
the Titans), Pakistani television star Adnan
Siddiqui (Amer Bail), and Obie Award
winner Gary
Wilmes ("Red Light Winter"). |
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| The
film's behind-the-scenes artists are all Winterbottom
veterans, including director of photography Marcel
Zyskind (The Road to Guantánamo),
production designer Mark
Digby (The Road to Guantánamo),
editor Peter
Christelis (Code 46), and costume designer
Charlotte
Walter (Tristram Shandy: A Cock & Bull
Story). |
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| The
night Danny disappeared, Mariane kept vigil with
Asra Nomani, an old friend and colleague of Danny's
at the WSJ, living in Karachi. Both women were seasoned
international journalists with formidable investigative
skills, but they were also foreign women in a country
that had become increasingly volatile since September
11. By dawn, they knew they were facing a crisis
that required strong allies fully briefed on Pakistan's
proliferating terrorist cells, its byzantine bureaucracy
and its notorious Inter-Services-Intelligence agency
(I.S.I.). |
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| Dozens
of local investigators swarmed the house that morning,
including a man called Captain, the then head of
Pakistan's brand new counter-terrorism unit. With
Asra's house as headquarters, Captain's men, along
with an American diplomatic security agent, two
Journal colleagues and the FBI, dedicated themselves
to the search. After five harrowing weeks, amidst
escalating media frenzy, they found the kidnappers.
Among them was the known militant Omar Saeed Sheikh,
aka Bashir, the go-between who had offered Danny
information relating to the shoe bomber story. Then
came the devastating news that Danny had been brutally
murdered weeks earlier. |
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| Mariane
and Danny believed that by bearing witness to events
and allowing all voices to be heard, truthful journalism
could bridge communities in conflict. Mariane has
remained devoted to this principle, refusing to
succumb to hate or fear. After Danny's death, she
went home to her native France to await Adam's birth.
She and Adam now live in Paris, France. |
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MUSIC |
|
Theology |
| Sinéad
O'Connor |
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| The
uncompromising Irish artist, spiritualist, and provocateur
gives a twist to the critical truism that double
albums would generally be stronger if edited into
a single disc. With what she terms her "attempt
to create a place of peace in a time of war,"
Sinéad
O'Connor consciously risks charges of not merely
padding but redundancy, as the two discs feature
practically the same set of material recorded in
different settings. The "Dublin Sessions"
are more minimal and acoustic, and the "London
Sessions" incorporate full-band arrangements
including harp, strings, horns, and percussion.
Finding dual inspiration in Jerusalem and Jamaica,
the material proves all the more revelatory in the
contrasting settings, as the minimalist approach
underscores vocal intimacy while the band arrangements
build to majestic intensity. The opening "Jeremiah
(Something Beautiful)" ranks with O'Connor's
loveliest music to date, with "Job (Watcher
of Men)" among her most tormented. The cover(s)
of Curtis Mayfield's "We Are People Who Are
Darker than Blue" fits perfectly, though a
misguided attempt at "I Don't Know How to Love
Him" (from Jesus
Christ Superstar, mercifully featured only
on the second disc) proves that some musical miracles
are beyond even Sinéad's power. The second
disc sounds more like pop; the first disc sounds
more like prayer. -Don McLeese for Amazon |
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TV |
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| (Tuesday
- 10 pm/9c; FX) |
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| Legal
thrillers usually fall victim to one of two fatal
flaws: Either they don't show enough of all sides
of the story, leaving viewpoints completely unexamined,
or they forget to take the drama outside of the
courtroom for some fresh air and new possibility.
In this difficult balancing act, "Damages"
evens out the scales perfectly. FX's new drama welcomes
us into the lives of a young lawyer, her family
and her high-powered boss while granting us backstage
passes for their biggest and most high profile cases. |
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| Starring
Glenn
Close as Patty Hewes, New York City's premiere
high-stakes litigator, this stunning and utterly
flawless story has twists at every turn. And then
there are the mind games, the lying, the bribery,
murder and revenge. And it's just getting started
definitely
not the kind of stuff you see sitting before a judge
and jury |
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| Who's
That?:
As if Glenn Close weren't enough to get you tuning
in, the stellar cast also includes Tate
Donovan, Aussie stunner Rose
Byrne and Ted
Danson (in all his silver fox glory) as a corrupt
CEO with some bad habits, even worse press and a
target on his back that Patty Hewes is aiming for.
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| Buzzed
About:
It's not very often that you get a seasoned pro
like Close to work primetime television hours, so
FX was smart to snag her up for another series after
her Emmy-winning turn on "The
Shield". They're even smarter to give her
such a well-matched and supremely fascinating role. |
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| The
"Ooh" Factor:
There's a woman running through the heavily-trafficked
city streets, half-naked and covered in blood in
the beginning scene, which lands her a prime spot
in a police interrogation room. From there, it all
flashes back in pieces, tying a murder, a huge corporate
conspiracy, a happy couple and a dream job-gone-bad
to this one spine-tingling conclusion. |
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| The
"Eh" Factor:
The only downside? We have to wait an entire season
to get to the bottom of what has really happened!
It looks like a movie and thrills like a movie,
but since it is still television, we've gotta be
patient. |
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| The
Verdict:
Simple: This is the best new show on television.
-Maggie Furlong for Metromix
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| (Thursday
- 8 pm; CBS) |
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| Meerkat
Manor is a television series made by Oxford Scientific
Films for Animal Planet. It presents the daily activities
of a family (or mob) of wild meerkats as part of
the Kalahari
Meerkat Project. Although the show has elements
of a documentary, and is based on actual events,
the narrative is presented in a style similar to
a soap opera. |
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| The
show is narrated by Bill
Nighy in the UK and Canada, Mike
Goldman in Australia, and Sean
Astin in the USA. The series was originally
shown in the UK, and is its primary home, but was
picked up in Australia, Canada, and the United States,
and is now a worldwide hit. -Wikipedia
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WEB |
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the
online version of "The Word Detective", a
newspaper column answering readers' questions about
words and language | "The Word Detective"
is written by Evan Morris and appears in finer
newspapers in the U.S., Mexico and Japan. |
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