|
| sweet
deals |
|
commentary
by fred clark
|
| published
15 june 2007 |
| |
|
the
world watch papers | volume 4
number 2
|
|
|
|
|
|
"What
do you think an artist is? An imbecile who has only eyes,
if he is a painter; or ears, if he is a musician; or a
lyre in every chamber of his heart, if he is a poet; or
evenif he is a boxerjust his muscles? Far
from it; at the same time, he is also a political being,
constantly aware of the heartbreaking, passionate, or
delightful things that happen in the world, shaping himself
completely in their image. How could it be possible to
feel no interest in other people, andwith a cool
indifferenceto detach yourself from the very life
which they bring to you so abundantly?" -Pablo
Picasso
|
|
|
|
|
 |
|
|
|
|
|
|
| |
| published
since August 2006 | The World Watch Papers are dedicated
to inspections of those issues and events most impacting the world
and its inhabitants. |
| |
|
|
 |
|
|
| |
|
|
| |
"Indeed,
there is no one I know who can sort through complex
and often obtuse ideas and then explain them...to
an audience in such a way that makes those ideas
as plain as dayfairly and without distortionall
while making whatever point he wants to make.
He is also dreadfully, painfully, surgically funny.
And, better still, he is a man of conviction [and]
grace." -Dwight
Ozard on Fred
|
|
|
| |
|
|
 |
|
|
| |
|
Steve
Johnson and Lou Fancher
(eMail
Web site) have worked as a collaborative team for twenty years,
producing illustrations for annual reports, brochures, posters,
advertisments, book covers, movies and magazines. Together they
have illustrated several children's booksincluding: Jon
Scieszka's The
Frog Prince, Continued, Anne
Mazer's The
Salamander Room, Garrison
Keillor's Cat,
You Better Come Home, and My
Many Colored Days, by Dr.
Seuss.
Johnson grew up in Minnesota
and studied illustration and painting at the School
of Associated Arts in St.
Paul (BFA). Fancher was born in Michigan
and studied art history while earning her BFA in Dance at the
University
of Cincinnati. In addition to her work with Johnson, she works
for the Alberta
Ballet as ballet
Mistress.
Steve Johnson and Lou Fancher are married and live in Minneapolis,
Minnesota.
|
| |
|
|
 |
|
|
| |
|
|
| |
|
|
|
|
|
|
| |
|
|
|
|
Imagine this
happens to you:
Some big Manhattan publisher gives you a $100,000 advance to write
the Great American Novel. Then, you look at the fine print and
realize that your deal gives you $100,000 every year until
you finish the book.
You call to double check. "Does this mean I get $100,000
per year...forever?" you ask.
"Not forever," the publisher says, "just until
whenever you're finished writing." And once the book is completed,
the publisher says, you'll receive a $2500 bonus.
This would never happen in real life, of course, because any capable
publisher would realize that such a deal would provide a major
incentive for you never to finish the job.
|
| |
|
|
| |
|
|
|
bin
Laden
by Steve Johnson and Lou Fancher
|
|
| |
|
|
| |
|
But while
no publisher is that dumb, the Bush
administration is. This, essentially, is the deal the White
House has with the Pakistani
government for helping us track down Osama
bin Laden. Crooks
and Liars sums it up:
| ...the
Bush administration pays the Pakistani government $1 billion
a year to hunt down Osama bin Laden, and demands zero accountability
as to how that money is spent. |
The Bush administration is also offering a $25 million bounty
for information leading to the capture of bin Laden. Let's do
the arithmetic. If you're Pervez
Musharraf, which would you choosea one-time award of
$25 million or 40 times as much this year, and next year, and
every year after that?
Let's try one more analogy. Imagine you're Halliburton.
You've been hired by the U.S.
government to rebuild Iraq's refineries and oil infrastructure.
In the meantime, until that job is completed, you've also
been hired to supply Iraq
with gasoline at whatever prices you see fit to charge. So, do
you diligently work to complete the first task, thus killing the
goose that lays the golden egg? Or do you do the economically
sensible thing and ensure that the lucrative "meantime"
lasts as long as possible?
This analogy, unfortunately, isn't hypothetical.
I stated, above, that one would have to be pretty dumb to create
these kinds of perverse incentives. That's true, but only if the
purported aims of such incentives are one's genuine goals. If
the actual goal were to prevent these things from occurringto
ensure that bin Laden is never caught, that Iraq's infrastructure
is never rebuiltthen incentives like this would be just
the kind of thing needed. Perverse incentives are an intelligent
strategy if one is pursuing perverse goals.
|
| |
|
|
|
FAIR USE NOTICE
This portion of our site contains copyrighted materialthe use of which has not always been specifically authorized by the copyright owner. We are making such material available in an effort to advance understanding of Arts and/or Culture-related issues. We believe this constitutes a 'fair use' of any such copyrighted material as provided for in section 107 of the U.S. Copyright Law. In accordance with Title 17, U.S.C. Section 107, such material on this site is distributed, without profit, to those who have expressed a prior interest in receiving the included information for research and/or educational purposes. If you wish to use copyrighted material from The Bohemian Aesthetic's WORLD WATCH PAPERS section, for purposes of your own which go beyond 'fair use', you must obtain permission from the copyright owner.
|
|
|
|
|
|