it's called war
commentary by drazan gunjaca
published 15 april 2007
originally published by retort magazine
 
the world watch papers | volume 4 number 1
 
"What do you think an artist is? An imbecile who has only eyes, if he is a painter; or ears, if he is a musician; or a lyre in every chamber of his heart, if he is a poet; or even—if he is a boxer—just his muscles? Far from it; at the same time, he is also a political being, constantly aware of the heartbreaking, passionate, or delightful things that happen in the world, shaping himself completely in their image. How could it be possible to feel no interest in other people, and—with a cool indifference—to detach yourself from the very life which they bring to you so abundantly?" -Pablo Picasso
 
published since August 2006 | The World Watch Papers are dedicated to inspections of those issues and events most impacting the world and its inhabitants.
 
 

Drazan Gunjaca (Web site), born 1958, in Sinj, Croatia, is the author of a number of awarded anti-war books, including the novel Balkan Farewells (international award Premio Satyagraha 2002, Italy) and the drama "Balkan Roulette" (medal of the European Parliament at the international literary contest Anguillara Sabazia Città D'arte 2003 (Italy), the theatre award at the contest Il Viaggio Infinito 2003 (Italy), and other awards at the Cesare Pavese-Mario Gori 2003 (Italy), Premio Carver 2003 (Italy), Il Convivio 2003 (Italy), Premio Ripa Grande 2003 (Italy), Premio La Fonte-Città Di Caserta 2003 (Italy), Premio Logos 2003 (Italy) and Premio Phintia 2003 (Italy).

 
 
Pablo Ruiz Picasso (25 October 25 1881 – 8 April 1973) was a Spanish painter and sculptor. One of the most recognized figures in 20th century art, he is best known as the co-founder, along with Georges Braque, of Cubism. -Wikipedia
 
 
 

 
 
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Guernica
by Pablo Picasso

So, you get caught in a sort of lethargy, an incomprehensible tiredness, and you wait for something to give you a start from that sleepiness. Possibly something nice. It’s only human to hope—even when there’s no point, isn’t it?


The other day, I started writing an essay about globalization, and I gave up. Really, there’s nothing to say that hasn’t already been said. You can only take some old themes and elaborate them in a new way. I had no desire to do that. And then some bad things happened…Actually, these are always the same bad things that keep happening over and over again, just in new ways. Maybe there is some point in writing about them, after all: to adjust to their new modalities.


Anyway, moved by these ugly events, I gave up the essay and, against my will, I got back to my most hated theme: the war. But then, since we mentioned globalization, let’s start from there. If everything has been globalized—and it has—why do the majority of people think that the wars have been left out? That they haven’t become ours, the “heritage” of all of us. Why do we always treat them as somebody else’s, until they knock on our door? To be more precise, why do we pretend not to hear them knocking stubbornly at our door? Do we think that hurriedly installed locks or sophisticated security systems will keep the unwanted guests outside? Let’s switch to singular, because all the wars have so many things in common that there’s simply no point in using the plural. There, we do not realize that the war is not knocking at the door because the locks are preventing it from entering; it plays with our ingenuousness. The war is a curious creature. It’s interested in knowing the limits of human blindness. And when it realizes that it has no limits, it gets sick and tired of its elementary decency (which it always respects in the beginning) and goes back to its original nature.


To get one thing straight, it’s not pretending to be something else in the beginning. On the contrary! But it’s probably a little amused by the fact that people call it all sorts of names—but the right one. And its name is war. Nothing especially difficult to remember or understand. At least it seems so. And when we finally call it the right name—and we have to, sooner or later—it’s already too late for some people.


On the other hand, if we want to be honest with it and ourselves, we have to admit that its reaction is quite logical. Namely, utter underestimation that's close to provocation of something so powerful, impetuous and arrogant has to end badly. And, naturally, annoyed by such an amount of absurd ignorance, it oozes into our small world with unbearable easiness, becoming its master. First, it breaks all the locks, turns off all the security systems, and then exposes our helplessness to the point that our lives become reduced to a moment. It can last an hour, a day, a year…depending on the mood of this new master of our lives. And the war is certainly the worst of all masters. And why should it be any better, with so many subjects humbly waiting for its arrival?


They say that the war also has its masters. I doubt that. Who are they? Simple yes men cold-heartedly used just like the innocent victims of these yes men, themselves. Let's just remember, for a moment, some of the greatest “masters” of war. For example Attila or Hitler, all the same. Let's remember how they ended. That's not the way masters end, only servants. After all, if we think for a minute, of where those masters came from, who created them...we did. With our earlier described behavior. It's unbelievable how much can be done by not doing anything, isn’t it?


I went off topic. After all, I didn't have any particular theme or intention; I just wanted to say, by the way, that the war will always be, whenever it likes, the absolute master of our lives, until we're courageous enough to call it by its right name. On time.

 

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