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| artisanal |
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commentary
by brian parker
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| published
07 june 2006 |
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savor
| volume 1
number 2
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print
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| published
since April 2006 | Savor is Brian Parker's passionate affirmation
of George
Bernard Shaw's statement that "There is no sincerer love
than the love of food." |
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In
addition to being a gourmand and Emmy-awarded
set designer, Brian Parker (eMail
Web
site), who makes his home in Nashville,
Tennessee,
helms Parker Designsa company dedicated to works of great
imagination and frequent whimsy.
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Publisher:
Wiley (3 October 2005)
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Language:
English
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ISBN-10:
0764568221
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| ISBN-13:
978-0764568220 |
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Floris
van Dijck
(c. 1575-1651) was born in Delft.
He lived for some years in Haarlem,
where he became engaged in 1604. It is not known to whom he was
apprenticed, but he certainly undertook a journey to Italy
after his apprenticeship. Van Dijck was principally a painter
of still-lifes, acclaimed for his natural depictions of flowers
and plants. He was also a prominent figure in the Haarlem artists'
guild, although he hardly painted at all in the last twenty-five
years of his life. Perhaps this was because he no longer needed
to paint to earn a living: his will, drawn up in 1605, reveals
him to have been a wealthy man. van Dijck died in 1651. -Rijksmuseum
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Still
Life with Fruit, Nuts and Cheese
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by
Floris Claesz van Dijck
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If you
must, call it an obsession; but, like the perfect bedtime
story, I read it over and over again. If I'm bored or stressed
or upset, it serves as an unfaltering solace, utterly transporting
me: the July 2001 issue of Gourmet Magazine. Special produce
edition. I've suckled at its glossy pages for nearly five
years. It's never left my bedside. Sadly, I'm not exaggerating.
Page after page of heirloom tomatoes, family farm stands,
restaurants and recipesall celebrating the riot of summer.
These aren't articles; they're love songs to a harvest. They're
operas. And, of course, there's one voice that I hear above
them all: Jonathan
Gold's.
No
mere aria has ever rivaled his review of Artisanal,
Terrence
Brennan's Park
Avenue bistro.
I could probably recite that appraisal in my sleep. As a result,
Artisianal achieved legend status in my mind before I'd ever
dined there; for years, she reigned only in my culinary fantasies.
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CUT
TO:
Salzburg,
Austria.
A misty-eyed
Christopher Plummer and a dreamy Julie Andrews singing in
a moonlight-diffused glade. "Somewhere in my youth or childhood,
I must have done something good."
CUT TO:
New
York City. A misty-eyed me staring at the doors on 32nd Street,
bathed in the gray shadows of the skyscrapers. Again with the
singing. "Somewhere in my youth or childhood, I must have
done something good."
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Touring New
York City on a food consulting project, I'd emphatically put Artisanal
on my itinerary. And now I stood at her entrance, contemplating
the possibilities. Concealed behind those doors were the answers
to 40 years of troubling questions. Everything in life would soon
make sense. Trembling, weightless, I entered. Trays of cheese
and pots of fondue covered the tables. Surrounded by the near-palpable
odor of pressed, aged and seasoned milk curd and the din of chatty,
urbane diners, I knew I'd discovered my Mecca.
Considering my boundless passion for all things edible, you might
think I'd be hard-pressed to pick a favorite food. Not so. Cheese
easily tops the list. And (apologies to Murray's
Cheese Shop) here I was in what is, arguably, the cheese galaxy's
sun.
I started with
gougères, little puffballs of cheese pastry with the
heady bouquet of Gruyere
and the lightness of a snowflake on the tongue. Absolutely enchanting.
By the time the basket was empty, I was a lifeless puddle. That
is, until I saw, balanced on the waiter's palm, the biggest, fattest,
most glorious platter of goodies moving my way. I smiled and sat
politely but, inside, I was tackling him, throwing that tray to
the ground and feasting from the floor, rising only to dance the
dance of the blissfully cheese-obsessed.
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He set the
platter before me, and there lay a sample of the world's finest.
Most of these were a mystery to me; I was stunned to reverence.
To select from 250 cheeses is a scary, napkin-twisting, reckless
task. But I did finally choose and wasn't disappointed.
The brief, intense journey began with Tourmalet,
firm and buttery with a manly hazelnut finish. Then, the woody,
sharp overtones of Ibores.
The sing-song fruitiness of the Beaufort
with its dense, creamy finish. Fiscalini.
Oh my. It started with a bulbous buttery force, followed by hints
of verdant, herbaceous summer, and finished as what can only be
called savory and meaty. The Piave
dazzled with its profound fruitiness and clean almond denouement.
And, in Roomano,
the Dutch created my favorite cheese. Unspeakably complex, it
was aged for six years, prompting me to think: This cheese
was born as we were wringing our hands in anticipation of Y2K disasters.
In blissful ignorance, the Roomano began its development into
a bold, spiky, milky saltiness with crystalline butterscotch flavors.
A dozen different trills and swells of flavor bloomed with each
morsel.
I was in
lactic Nirvana.
Jonathan Gold expressed it so beautifully:
| "Cheese
could well be the ultimate farm productpasture grass
brought to its supreme expression, handmade, carefully crafted
produce nurtured from sheep, cows, and goats by some of the
most dedicated farmers on earth." |
I wasand remainruthlessly humbled by the vast universe
of cheese, where I could spend the rest of my life exploring and
still never reach its boundaries.
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Views expressed
on this page may or may not be representative of The Bohemian
Aesthetic or its founder. All materials appearing on this Web
site are copyrights of patsymooreDOTcom, respective authors,
or original sources.
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