New wines to try each month
 
artisanal
commentary by brian parker
published 07 june 2006
 
savor | volume 1 number 2
print
 
"Cookery is not chemistry. It is an art." -X. Marcel Boulestin
 
published since April 2006 | Savor is Brian Parker's passionate affirmation of George Bernard Shaw's statement that "There is no sincerer love than the love of food."
 
 
In addition to being a gourmand and Emmy-awarded set designer, Brian Parker (eMailWeb site), who makes his home in Nashville, Tennessee, helms Parker Designs—a company dedicated to works of great imagination and frequent whimsy.
 
 
 
Publisher: Wiley (3 October 2005)
Language: English
ISBN-10: 0764568221
ISBN-13: 978-0764568220
 
 
Floris van Dijck (c. 1575-1651) was born in Delft. He lived for some years in Haarlem, where he became engaged in 1604. It is not known to whom he was apprenticed, but he certainly undertook a journey to Italy after his apprenticeship. Van Dijck was principally a painter of still-lifes, acclaimed for his natural depictions of flowers and plants. He was also a prominent figure in the Haarlem artists' guild, although he hardly painted at all in the last twenty-five years of his life. Perhaps this was because he no longer needed to paint to earn a living: his will, drawn up in 1605, reveals him to have been a wealthy man. van Dijck died in 1651. -Rijksmuseum
 
 
 

 
 
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Still Life with Fruit, Nuts and Cheese
by Floris Claesz van Dijck

If you must, call it an obsession; but, like the perfect bedtime story, I read it over and over again. If I'm bored or stressed or upset, it serves as an unfaltering solace, utterly transporting me: the July 2001 issue of Gourmet Magazine. Special produce edition. I've suckled at its glossy pages for nearly five years. It's never left my bedside. Sadly, I'm not exaggerating.


Page after page of heirloom tomatoes, family farm stands, restaurants and recipes—all celebrating the riot of summer. These aren't articles; they're love songs to a harvest. They're operas. And, of course, there's one voice that I hear above them all:
Jonathan Gold's.


No mere aria has ever rivaled his review of Artisanal, Terrence Brennan's Park Avenue bistro. I could probably recite that appraisal in my sleep. As a result, Artisianal achieved legend status in my mind before I'd ever dined there; for years, she reigned only in my culinary fantasies.

 
 

CUT TO: Salzburg, Austria. A misty-eyed Christopher Plummer and a dreamy Julie Andrews singing in a moonlight-diffused glade. "Somewhere in my youth or childhood, I must have done something good."


CUT TO
: New York City. A misty-eyed me staring at the doors on 32nd Street, bathed in the gray shadows of the skyscrapers. Again with the singing. "Somewhere in my youth or childhood, I must have done something good."

 
 
igourmet.com
 
 

Touring New York City on a food consulting project, I'd emphatically put Artisanal on my itinerary. And now I stood at her entrance, contemplating the possibilities. Concealed behind those doors were the answers to 40 years of troubling questions. Everything in life would soon make sense. Trembling, weightless, I entered. Trays of cheese and pots of fondue covered the tables. Surrounded by the near-palpable odor of pressed, aged and seasoned milk curd and the din of chatty, urbane diners, I knew I'd discovered my Mecca.


Considering my boundless passion for all things edible, you might think I'd be hard-pressed to pick a favorite food. Not so. Cheese easily tops the list. And (apologies to Murray's Cheese Shop) here I was in what is, arguably, the cheese galaxy's sun.


I started with gougères, little puffballs of cheese pastry with the heady bouquet of Gruyere and the lightness of a snowflake on the tongue. Absolutely enchanting. By the time the basket was empty, I was a lifeless puddle. That is, until I saw, balanced on the waiter's palm, the biggest, fattest, most glorious platter of goodies moving my way. I smiled and sat politely but, inside, I was tackling him, throwing that tray to the ground and feasting from the floor, rising only to dance the dance of the blissfully cheese-obsessed.


 
 
 
 

He set the platter before me, and there lay a sample of the world's finest. Most of these were a mystery to me; I was stunned to reverence. To select from 250 cheeses is a scary, napkin-twisting, reckless task. But I did finally choose and wasn't disappointed. The brief, intense journey began with Tourmalet, firm and buttery with a manly hazelnut finish. Then, the woody, sharp overtones of Ibores. The sing-song fruitiness of the Beaufort with its dense, creamy finish. Fiscalini. Oh my. It started with a bulbous buttery force, followed by hints of verdant, herbaceous summer, and finished as what can only be called savory and meaty. The Piave dazzled with its profound fruitiness and clean almond denouement. And, in Roomano, the Dutch created my favorite cheese. Unspeakably complex, it was aged for six years, prompting me to think: This cheese was born as we were wringing our hands in anticipation of Y2K disasters. In blissful ignorance, the Roomano began its development into a bold, spiky, milky saltiness with crystalline butterscotch flavors. A dozen different trills and swells of flavor bloomed with each morsel.


I was in lactic Nirvana.


Jonathan Gold expressed it so beautifully:


"Cheese could well be the ultimate farm product—pasture grass brought to its supreme expression, handmade, carefully crafted produce nurtured from sheep, cows, and goats by some of the most dedicated farmers on earth."


I was—and remain—ruthlessly humbled by the vast universe of cheese, where I could spend the rest of my life exploring and still never reach its boundaries.

 

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