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| tales
from the imagination of kamal talvar |
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story
by asim rizki
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21 february 2008 |
| originally
published by retort
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the
self expressed | volume 1
number 6
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"Stories
are living and dynamic. Stories exist to be exchanged.
They are the currency of Human Growth." -Jean
Houston
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| published
since April 2007 | The Self Expressed is a collection of
creative texts. |
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The
artist and inventor Christiaan
Zwanikken
(eMail
YouTube)
spent many of his formative years at the Convento
São Francisco de Mértola. Then studied
at the Gerrit Rietveldacademie and Rijksakademie in Amsterdam.
He restored the old waterwheel and created the Robotic
Donkey at the Water Museum. He has several permanent,
interactive, moving artworks at the Convento.
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Many
of his sculptures have been inspired by animal life. Under
Zwanikken's
original paintings of Rococo cherubs, three robot peacocks
are caught in conversation. His Tourinho is an
automated version of a training bull, as used by Portuguese
bullfighters when practicing, and his dog skulls can chase
and dodge each other in an endless game.
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His
interest lies not, primarily, in a stunning technical
achievement. Instead, he looks to link his art, which
is inanimate, with the living world. His constructions
show human or animal behavior and, thus, serve as tools
for studying, unravelling and commenting on nature. The
constructions do not simply operate, they behave.
And it is the machines' very behavior that shows their
maker to be both curious aboutand familiar withanimal
and plant life.
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Since
1990, Zwanikken's
work has been exhibited regularly in galleries and museums
in the Netherlands and countries such as France, Germany,
Japan, Mexico and the Czech Republic.
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Lately,
his work was shown among at the Kunsthaus Graz, Austria,
and Museum Tinguely, Basel, Switzerland.
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Maybe I should
be more aggressive. So people say. Document Seven has been blank
for awhile. I close it, then start a new one: Number Eight. I'm
working in my father's study, work that involves staring into
space. I've been writing for an hour, but I haven't produced a
single word.
I glance over the book shelves. There's an eclectic mix of computer
manuals, economics and history. I haul myself out of the chair
and start randomly leafing through them. After a memoir of a Watergate
conspirator, a guide to a graphics program, and a tome on the
life of Jinnah, I come to the only work of fiction. It's a volume
of short stories written by a family friend.
'Tales from the Imagination of Kamal Talvar' is its name. I read
it when I was a boy. The last time I met the author must have
been at the funeral. He was one of the more dignified mourners.
So it goes, as Vonnegut said.
Kamal Talvar was a Science teacher. He's retired, now. During
school holidays, he would turn his hand to writing fiction. His
work was never accepted by any publishers or magazines. But he
did find a small publishing house in Whitechapel that agreed to
do a short run of his book, paid for by himself.
I got hold of my father's copy, many years ago, and read all 70
stories. Some were no longer than a page. It was not one of my
great formative reads. In those days, I would pick up anything.
I had forgotten about these stories until now.
I look over the titles. The first one I remember is called "Be
Nice". The plot goes like this: In a distant land, some time
in the past or the future, the people of a large city feel dissatisfied
with life. To combat these feelings, several citizens form a new
religion which has one rule: 'Everyone must always be nice to
each other'.
They distribute pamphlets and give speeches around the city. Their
faith attracts many new converts and soon a majority of citizens
become followers.
The founders think of various punishments for those who disobey
the one rule. These include seizing of property and assets, branding
with a hot poker and flagellationdependent on how badly
the rule is broken.
The new forms of justice are meted out on the first miscreants.
The faith gains even more popularity once this starts. It becomes
the official religion of the city. More and more people are bankrupted,
burned or whipped for not being nice. However, in general terms,
the people feel spiritually fulfilled where, before, they were
empty.
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I'm lacking
inspiration. The obvious solution is music. And the musician who
inspires me more than any other is Jeff Buckley. I put on Grace
and pick up the book, again. There are a few stories I have no
memory of. I re-read one of these:
A man has one beautiful flower growing in his small front garden.
It stands proud in its circular bed in the center of the lawn.
As one season makes way for another, the petals seem to change
color from red to scarlet to maroon. It is a wonderful, inspiring
sight.
Its owner decides that the inside of his house is a bit dull.
So, he uproots the flower and puts it on his window sill. Gradually,
it blackens and starts to crumble. But the man is happy because
he prefers having it in the house. He feels that it really belongs
to him, more so than when it was outside. This gives him a genuine
feeling of satisfaction, even though he's killed it.
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Kamal Talvar
was not widely liked among the Muslim families who formed my parents'
social circle. I never actually heard anyone say a bad word against
him, but there was an odd silence whenever his name was mentioned.
My father got on well with him. He had a copy of Kamal's uncle's
book, but I didn't see it anywhere else. Whenever he came to our
house, there was a lot of hearty laughter.
I got the impression my mother didn't really approve of him, though.
Mrs Talvar didn't go in for their Muslim wives' meetings. They
had a son, a few years older than me. He was the first person
I knew who went to a university up North.
Once, when I was a boy, all the children were attending a talk
by some learned religious person in the house of a family friend.
The adults who had brought their kids were also listening. It
was boring. Early on, I had been told off for fidgeting.
The speaker got onto the topic of non-Muslims. Apparently, they
were all going to hell and we were not to socialize with them.
Kamal Talvar stood up and told the learned man that this kind
of racism had no place in modern Islam. His ideas should not be
permitted to taint young minds. He was a pathetic, small-minded
individual.
Our lecturer ended his speech and demanded someone drop him at
the nearest station. Our hostess, who had invited him to speak,
was livid with Kamal Talvar.
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This can't
be healthy. I can feel the madness lurking at the back of my mind
creeping forward. I need to write something before I go over the
edge. I think of a plot in the style of Kamal's uncle:
Every year a small town holds a competition for the children in
their community. This is a big event. People talk about what happened
in the last one for months afterwards and what might happen in
the next one months before. There is one big prize and several
smaller ones. The lesser awards are for physical attributes. Town
elders have decreed the perfect height, foot size, head dimension,
etc. for boys/girls aged 15. Those kids who are closest to these
measurements are given much acclaim and presented with trophies.
The main contest involves recitals. Participants have to learn,
by heart, large sections of ancient books written in old dialects
which no one understands. The one who can memorizethen regurgitatethe
largest amount of unintelligible lore is held up as an example
of virtue and goodness for others to follow. The winner and previous
winners are paraded around the town, giving everyone a sense of
pride in their community.
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A photo of
my father looks down from the wall. I have just read another story:
A cruel despotic ruler presides over his people. He uses his army
to randomly massacre his own subjects, destroy their crops and
burn their homes. He showers riches on some citizens. Most pay
homage to him, but a few do not involve themselves in the ceremonies
and are even openly scornful. However, he does not punish these
people and neither does he reward the others. His acts of destruction
and the few ones of benevolence are totally haphazard.
Yet, a large section of the population continues to waste time
and money on bizarre acts of worship. They concoct fantastic theories
on how their behavior influences the ruler's actions and why some
who criticize him still receive his favors. The truth is, though,
that he is a drivelling fool. There is no rhyme or reason to how
he governs the land.
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I've had
an idea. I think it's a good one. This might stretch to a novella...probably
a short story. My usual themes: Why can't everyone just get on
and who is Asim Rizki?
Anyway, I'm bound to have another block some time and pick up
Tales from the Imagination of Kamal Talvar, again. When
I do, I'll let you know.
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