halloween night in the city of light
commentary by francis powell
published 27 october 2006
 
special assignment | volume 1 number 5
print
 
"Every human is an artist. And this is the main art that we have: the creation of our story." -Don Miguel Ruiz
 
published since May 2006 | Special Assignment is a series of artists' profiles, events spotlights, and interviews.
 
 
Francis Powell (eMailWeb site MySpace page) lives in Paris, France, where he teaches English, paints, writes poetry and short stories, composes music, Djs (under the moniker 'Dj Wise'), and makes video performance art.
 
 
human bones and skulls 1: Jeff Belanger (Web site) has been writing about ghosts and the supernatural since 1997, when he first interviewed renowned ghost hunters Ed and Lorraine Warren. In 1998, he was tapped to research and write the script for a documentary film on Dudleytown—an abandoned ghost town in the hills of northeastern Connecticut. Belanger brings personality and humor to this subject which makes him one of the most sought-after experts in the field. A regular lecturer on the subject of the supernatural, he's been a guest on more than 100 radio programs around the world, and has been featured in television programs covering the paranormal on ABC, NBC, and various regional television stations.
 
human bones and skulls 2: Copyright © Travellerspoint Travel Community
 
Château de Raray: Jean-Pierre Gilson (Web site) is a photographer at Compiègne University of Technology. He also pursues a parallel career in landscape author photography, involving long-term projects which have led to the publication of a series of books, including Scotland (1991), Ireland (1998), and Territoires de France (2002).
 
 
Marie Antoinette: Born in Paris, France, court painter Elisabeth Louise Vigée-Le Brun (1755-1842) acquired fame in her homeland as well as throughout Europe. She was mostly a self-taught artist, but received some training from her father prior to his death and was given advice by Greuze and Venet. Vigee-LeBrun traveled extensively and became a major player in 18th century high society despite her middle class upbringing.
-Lisa MacDonald
 
All Souls' Day: William-Adolphe Bouguereau (1825–1905) was a French academic painter. A student at the Ecole des Beaux-Arts in Paris, France, he won the Prix de Rome in 1850. His realistic genre paintings and mythological themes were exhibited at the annual exhibitions of the Paris Salon for his entire working life. Although he fell into disregard in the early 20th century—due, perhaps, to his staunch opposition to the Impressionists, there is a new appreciation for his work. In his lifetime, Bouguereau painted eight hundred and twenty-six paintings. -Wikipedia
 
 
 

 
 
Advanced Notions (various)
formerly patsymooreDOTcoms Bonus Writings; insightful and inciting literature from artists and about art
 
Amsterdam Dispatch (Karin Bos)
an insider's look at the art scene and artist life in Amsterdam
 
The Art of Fiction (Peter Quinones)
reviews of timeless literature
author interviews
 
bohoTV (various)
noteworthy Arts-centric viral video
 
Cambridge Letters (Kym Cooper-Rodgers)
reports about art scenes abroad
(9/2004-12/2005)
 
Deleted Scenes (Stuart Chait)
a guide to the great cinema and television you're missing
 
Design Psychology (Jeanette Joy Fisher)
a look at how design elements contribute to happiness, well-being, and productivity
(7/2005-3/2007)
 
The Iraq Watch Papers (various)
observations on war and peace
(3/2003-7/2006)
 
Lessons in Creativity (Linda Dessau)
self-care tips for artists
 
London Letters (Shakila Taranum Maan)
reports about the London arts scene and design
 
On Books (Tim Haigh)
book criticism
 
Paris: Vie et Art (Francis Powell)
an insider's look at the art scene and artist life in The City of Light
 
Portrait of the Artist (various)
a gallery of work by compelling visualists
 
Rake on Music (Jamie Lee Rake)
your map to the music underground
 
Savor (Brian Parker)
a passionate survey of food and cooking
 
The Self Expressed (various)
creative writing
 
Special Assignment (various)
profiles and interviews
 
Tending the Planet (Alyssa Stebbing)
ruminations on social responsibility and spiritual life
 
Thus Spake Fred (Fred Clark)
smart, witty examinations of socio-political issues
 
transcripts from A Lovers Quarrel
(Dwight Ozard)
one man's documentation of his restless relationship with faith and culture
(6/2004-9/2005)
 
Verse (Jim Newcombe/John-Paul Gillespie)
poetry laid bare
 
Verse Live (various)
new poetry
 
The World Watch Papers (various)
inspections of matters impacting the globe
 
Write of Passage (Eboni Rafus)
journalings of a confirmed writer

 

Paris is a city that thrives on her history. And while tragedy and bizarreness may also be found in that history, the French are only slowly coming 'round to the notion of Halloween (La Nuit des Sorcières).


So, where to go, if you want to be chilled? Why not make your way to the most eminent of monuments, the Eiffel Tower, where many a smitten couple have professed boundless love and intent to marry. Then, consider this tale of rejection, dramatic demise and, yes, a haunting:


Legend has it that a girl decided to break up with her boyfriend, but chose, unfortunately, to do so on the very the date upon which he planned to propose marriage to her. When the bad news was relayed to the poor young man, he took it in a most regrettable manner. He escorted his lover to the top of the Eiffel Tower and threatened her. The girl, however, innocently imagined that he was still the nice guy to whom she'd once entrusted herself...once upon a time, before she'd tried to split up with him. The boyfriend informed the girl that he'd spare her only if she agreed to be his bride. Again, falsely assuming her suitor to be nicer than he'd recently become, the ingénue responded to his offer with a "No, thank you." Well, the young man took this quite badly and proceeded to push his heartbreaker to her extinction. It's said that one can still, on occasion at the Eiffel Tower, hear a girl's laughter, followed by the word "no", then a scream and, finally, silence. (I suppose the moral, here, is that it's patently unwise to take offers of marriage lightly or threats of murder with any degree of frivolity?1)

 
 
la Tour Eiffel
 
 

Anyway, if you wish to pursue some potential ghostly action, you'd be well advised to make your way to The Catacombs, a substantial network of tunnels dating back to the reign of Rome—60 B.C., to be precise—and, in the 5th, 6th and 14th districts, they're about 100km (62 miles) long. 'Delight in the morbid? Death features strongly in the chronicles of this subterranean world. In fact, in 1786, The Catacombs (perhaps more correctly referred to as "Les Carrières de Paris" or "The Quarries of Paris") were converted into a mass tomb, by order of Monsieur Thiroux de Crosne, Lieutenant General of Police, and Monsieur Guillaumot, Inspector General of Quarries. Les Halles district, in the middle of the city, was rife with disease, due to contamination caused by improper burials and mass graves in churchyard cemeteries—especially the large Cimetière des Innocents. Consequently, it was resolved to place the bones of the deceased in the quarries. So, essentially, The Catacombs may be thought of as an historical dumping ground for the remains of those killed in riots or struck down by contagions. Of course, they, too, played their part in important periods of French history, used, for example, by French revolutionaries and Germans, during the second World War, who encamped in bunkers, there.

 
 
stacks of human bones and skulls inside The Catacombs of Paris, L'Empire de la Mort (the Empire of the Dead)
 
 

Some call The Catacombs "The Empire of the Dead". After all, there are the skulls and bones of seven million dead Parisians—peasants and noblemen, alike—intermingled, therein. I made an unauthorized visit to the giant sepulcher, thankfully accompanied by two capable guides. I can't say I saw anything that, in anyway, spooked me, but there's a recent story that's most chilling.


Down in the quarries, a discovered camcorder held the captured image of a man running away in abject terror. That man was never found.


Here's another: In 1999, a Swedish engineer took some photographs in The Catacombs. His girlfriend, who was standing beside him, at the time, noticed that her video camera started going haywire and, subsequently, broke. And the photos taken by the engineer? When they were developed, they contained extremely odd shadows and lights.


It might be inadvisable to photograph in The Catacombs.


Some say it's equally inadvisable to move the dead. A tourist was recklessly tossing a skull about, at the spot where he'd pilfered it. A blue mist emerged, and the skull took on its original human form. When the head was placed back in its correct setting, it disappeared, having frightened the life out of the foolish tourist.

 
 
 
 
Unpleasant deaths and lingering aftermaths...spirits who won't leave the world they inhabited long ago—these seem to characterize many of the City of Light's stories. Take, for instance, le Château de Raray, an old mansion that's, now, more an exclusive retreat for businessmen. In the seventeenth century, it belonged to the Bouteiller family, who had a servant girl who became pregnant by another member of the staff, that relationship ending, after a few years, with the man leaving the mother of his child for another woman. Heartless. As in my first anecdote, unrequited love reared its pained head. In great despair, the Bouteiller's jilted maid took her son to the woods and hung herself from a tree, after having tried to suffocate the child, who was later found wandering in the forest, mortally wounded and still looking for his mother. Today, his spirit is believed to roam the grounds of the castle.
 
 
Château de Raray, Oise
 
 
Not so far from Paris is the enormous expanse of le Château de Versailles. It was the home of the French royal family from 1682 to 1789, a time which also marks the French Revolution and the eventual fall of the King and Queen, whose lives were curtailed by beheading. One often hears tell of sightings of people dressed in 18th century garb and Versailles manifesting in a landscape different than its current one. When this transmutation occurs, the possibility purportedly exists to travel back in time, in eerie soundlessness, and witness, firsthand, the palace's preeminent ghost—Marie Antoinette, herself.
 
 
Marie Antoinette as painted by
 
 
What of witches and witchcraft? Inquisitions came early to France (1275) and were prevalent from then on. It seems even the French monarchy was under threat from evil forces.


One notorious trial featured Bishop Peter of Bayeux and his nephew, in 1278, for using wizardry against Philip III. Then, there were the cases of Bishop Guichard of Troyes, who was charged, in 1308, with employing magic against Philip de Bel and other aristocrats; Ailps de Mons and sundry associates accused of exacting image magic against Louis X, in 1314; Count Robert d'Artois, banished, in 1331, for fashioning a wax figure to operate against the King's son; and myriad suspects beheaded for causing the madness of monarch Charles VI, in 1398.


The death penalty was liberally wielded from the mid-15th century. Between 1428-1450, we find 110 women and 57 men being burned alive for witchcraft, as the Inquisition extracted confessions by way of multifarious methods of torture. The guilty were paraded as heretics, in the street, before meeting their dark fate of being burned alive.


Paris took the issue of witchcraft very seriously, and the law was applied harshly. Jehenne de Brigue, was accused of sorcery, allegedly having used it to heal her critically ill neighbor, Jehan de Ruilly, who, according to de Brigue, was the victim of a spell cast by his lover, Gilette. De Brigue denied being a witch but admitted to using charms. Later, she 'fessed up to being an enchantress and, while awaiting sentencing, conveniently claimed to be pregnant (afterwards, proven false). The trial went to appeal, and de Brigue was tortured on the rack. In the end, she disclosed that Macette de Ruilly, Jehan's wife, had hired her to kill Jehan. Both women were tried, led to the Paris Pig Market, and burned to death.


Halloween (or "ah-low-EEN", as it's pronounced by the French) is primarily an offshoot of globalization or Americanization, a marketing ploy. It's neither a significant nor traditional part of French culture. (Not like All Souls' Day, in which chrysanthemums and candles are customarily taken to cemeteries for the adornment of graves, and the dead are remembered by their families.) But, ironically, the origins of Halloween are European, not North American. The idea stems from a festival observance of both the Celtic and Anglo-Saxon heydays, on the 31st of October, when the souls of the dead were believed to revisit their homes. These pagan practices ultimately found their way into Christian commemorations. Halloween surfaced in North America when Irish immigrants promoted its practice, establishing the pumpkin as its official symbol and making "trick-or-treat"ing into a major component.

 
 
 
All Souls' Day
 
 
The French see Halloween as an excuse to have fun and to sell merchandise such as masks and plastic skeletons; but, also, in certain parts of their country, to proudly claim a slice of their heritage.
 
 
click images2 to enlarge
 
 
1 The editor maintains that the moral of this story is that one should avoid making lovey-dovey with the unhinged.


2
images by Francis Powell

 

Views expressed on this page may or may not be representative of The Bohemian Aesthetic or its founder. All materials appearing on this Web site are copyrights of patsymooreDOTcom, respective authors, or original sources.