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| halloween
night in the city of light |
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commentary
by francis powell
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27 october 2006 |
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special
assignment | volume 1
number 5
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"Every
human is an artist. And this is the main art that we have:
the creation of our story." -Don Miguel Ruiz
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| published
since May 2006 | Special Assignment is a series of artists'
profiles, events spotlights, and interviews. |
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Francis
Powell
(eMail Web
site MySpace
page) lives in Paris,
France,
where he teaches English, paints, writes poetry and short stories,
composes music, Djs (under the moniker 'Dj Wise'), and makes video
performance art.
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human
bones and skulls 1:
Jeff Belanger
(Web
site)
has been writing about ghosts and the supernatural since
1997, when he first interviewed renowned ghost hunters
Ed
and Lorraine Warren. In 1998, he was tapped to research
and write the script for a documentary film on Dudleytownan
abandoned ghost town in the hills of northeastern Connecticut.
Belanger brings personality and humor to this subject
which makes him one of the most sought-after experts in
the field. A regular lecturer on the subject of the supernatural,
he's been a guest on more than 100 radio programs around
the world, and has been featured in television programs
covering the paranormal on ABC, NBC, and various regional
television stations.
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Marie
Antoinette:
Born in Paris, France, court painter Elisabeth
Louise Vigée-Le Brun (1755-1842) acquired
fame in her homeland as well as throughout Europe. She
was mostly a self-taught artist, but received some training
from her father prior to his death and was given advice
by Greuze and Venet. Vigee-LeBrun traveled extensively
and became a major player in 18th century high society
despite her middle class upbringing.
-Lisa MacDonald
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All
Souls' Day:
William-Adolphe Bouguereau
(18251905) was a French academic painter. A student
at the Ecole des Beaux-Arts in Paris, France, he won the
Prix de Rome in 1850. His realistic genre paintings and
mythological themes were exhibited at the annual exhibitions
of the Paris Salon for his entire working life. Although
he fell into disregard in the early 20th centurydue,
perhaps, to his staunch opposition to the Impressionists,
there is a new appreciation for his work. In his lifetime,
Bouguereau painted eight hundred and twenty-six paintings.
-Wikipedia
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Paris
is a city that thrives on her history. And while tragedy and bizarreness
may also be found in that history, the French are only slowly
coming 'round to the notion of Halloween
(La Nuit des Sorcières).
So, where to go, if you want to be chilled? Why not make your way to
the most eminent of monuments, the Eiffel
Tower, where many a smitten couple have professed boundless love
and intent to marry. Then, consider this tale of rejection, dramatic
demise and, yes, a haunting:
Legend has it that a girl decided to break up with her boyfriend, but
chose, unfortunately, to do so on the very the date upon which he planned
to propose marriage to her. When the bad news was relayed to the poor
young man, he took it in a most regrettable manner. He escorted his
lover to the top of the Eiffel Tower and threatened her. The girl, however,
innocently imagined that he was still the nice guy to whom she'd once
entrusted herself...once upon a time, before she'd tried to split up
with him. The boyfriend informed the girl that he'd spare her only if
she agreed to be his bride. Again, falsely assuming her suitor to be
nicer than he'd recently become, the ingénue responded to his
offer with a "No, thank you." Well, the young man took this
quite badly and proceeded to push his heartbreaker to her extinction.
It's said that one can still, on occasion at the Eiffel Tower, hear
a girl's laughter, followed by the word "no", then a scream
and, finally, silence. (I suppose the moral, here, is that it's patently
unwise to take offers of marriage lightly or threats of murder with
any degree of frivolity?1)
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Anyway, if you
wish to pursue some potential ghostly action, you'd be well advised
to make your way to The
Catacombs, a substantial network of tunnels dating back to the reign
of Rome60 B.C., to be preciseand, in the 5th, 6th and 14th
districts, they're about 100km (62 miles) long. 'Delight in the morbid?
Death features strongly in the chronicles of this subterranean world.
In fact, in 1786, The Catacombs (perhaps more correctly referred to
as "Les Carrières de Paris" or "The Quarries of
Paris") were converted into a mass tomb, by order of Monsieur Thiroux
de Crosne, Lieutenant General of Police, and Monsieur Guillaumot,
Inspector General of Quarries. Les Halles district,
in the middle of the city, was rife with disease, due to contamination
caused by improper burials and mass graves in churchyard cemeteriesespecially
the large Cimetière
des Innocents. Consequently, it was resolved to place the bones
of the deceased in the quarries. So, essentially, The Catacombs may
be thought of as an historical dumping ground for the remains of those
killed in riots or struck down by contagions. Of course, they, too,
played their part in important periods of French history, used, for
example, by French revolutionaries and Germans, during the second World
War, who encamped in bunkers, there.
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stacks
of human bones and skulls inside The Catacombs of Paris, L'Empire
de la Mort (the Empire of the Dead)
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Some call The Catacombs
"The Empire of the Dead". After all, there are the
skulls and bones of seven million dead Parisianspeasants and noblemen,
alikeintermingled, therein. I made an unauthorized visit to the
giant sepulcher, thankfully accompanied by two capable guides. I can't
say I saw anything that, in anyway, spooked me, but there's a recent
story that's most chilling.
Down in the quarries, a discovered camcorder held the captured image
of a man running away in abject terror. That man was never found.
Here's another: In 1999, a Swedish engineer took some photographs in
The Catacombs. His girlfriend, who was standing beside him, at the time,
noticed that her video camera started going haywire and, subsequently,
broke. And the photos taken by the engineer? When they were developed,
they contained extremely odd shadows and lights.
It might be inadvisable to photograph in The Catacombs.
Some say it's equally inadvisable to move the dead. A tourist was recklessly
tossing a skull about, at the spot where he'd pilfered it. A blue mist
emerged, and the skull took on its original human form. When the head
was placed back in its correct setting, it disappeared, having frightened
the life out of the foolish tourist.
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Unpleasant
deaths and lingering aftermaths...spirits who won't leave the world
they inhabited long agothese seem to characterize many of the
City of Light's stories. Take, for instance, le Château
de Raray, an old mansion that's, now, more an exclusive retreat
for businessmen. In the seventeenth century, it belonged to the Bouteiller
family, who had a servant girl who became pregnant by another member
of the staff, that relationship ending, after a few years, with the
man leaving the mother of his child for another woman. Heartless. As
in my first anecdote, unrequited love reared its pained head. In great
despair, the Bouteiller's jilted maid took her son to the woods and
hung herself from a tree, after having tried to suffocate the child,
who was later found wandering in the forest, mortally wounded and still
looking for his mother. Today, his spirit is believed to roam the grounds
of the castle.
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so far from Paris is the enormous expanse of le Château
de Versailles. It was the home of the French
royal family from 1682 to 1789, a time which also marks the French
Revolution and the eventual fall of the King
and Queen,
whose lives were curtailed by beheading. One often hears tell of sightings
of people dressed in 18th century garb and Versailles manifesting in a
landscape different than its current one. When this transmutation occurs,
the possibility purportedly exists to travel back in time, in eerie soundlessness,
and witness, firsthand, the palace's preeminent ghostMarie Antoinette,
herself. |
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Marie
Antoinette as painted by
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| What
of witches and witchcraft?
Inquisitions
came early to France (1275) and were prevalent from then on. It seems
even the French monarchy was under threat from evil forces.
One notorious trial featured Bishop Peter of Bayeux and his nephew,
in 1278, for using wizardry against Philip
III. Then, there were the cases of Bishop Guichard of Troyes,
who was charged, in 1308, with employing magic against Philip
de Bel and other aristocrats; Ailps de Mons and sundry associates
accused of exacting image magic against Louis
X, in 1314; Count
Robert d'Artois, banished, in 1331, for fashioning a wax figure
to operate against the
King's son; and myriad suspects beheaded for causing the madness
of monarch Charles
VI, in 1398.
The death penalty was liberally wielded from the mid-15th century. Between
1428-1450, we find 110 women and 57 men being burned alive for witchcraft,
as the Inquisition extracted confessions by way of multifarious methods
of torture. The guilty were paraded as heretics, in the street, before
meeting their dark fate of being burned alive.
Paris took the issue of witchcraft very seriously, and the law was applied
harshly. Jehenne de Brigue, was accused of sorcery, allegedly
having used it to heal her critically ill neighbor, Jehan de Ruilly,
who, according to de Brigue, was the victim of a spell cast by his lover,
Gilette. De Brigue denied being a witch but admitted to using
charms. Later, she 'fessed up to being an enchantress and, while awaiting
sentencing, conveniently claimed to be pregnant (afterwards, proven
false). The trial went to appeal, and de Brigue was tortured on the
rack. In the end, she disclosed that Macette de Ruilly,
Jehan's wife, had hired her to kill Jehan. Both women were tried, led
to the Paris Pig Market, and burned to death.
Halloween (or "ah-low-EEN", as it's pronounced by the French)
is primarily an offshoot of globalization
or Americanization,
a marketing ploy. It's neither a significant nor traditional part of
French culture. (Not like All
Souls' Day, in which chrysanthemums
and candles are customarily taken to cemeteries for the adornment of
graves, and the dead are remembered by their families.) But, ironically,
the origins of Halloween are European,
not North
American. The idea stems from a festival observance of both the
Celtic
and Anglo-Saxon
heydays, on the 31st of October, when the souls of the dead were believed
to revisit their homes. These pagan practices ultimately found their
way into Christian
commemorations. Halloween surfaced in North America when Irish immigrants
promoted its practice, establishing the pumpkin as its official symbol
and making "trick-or-treat"ing into a major component.
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French see Halloween as an excuse to have fun and to sell merchandise
such as masks and plastic skeletons; but, also, in certain parts of their
country, to proudly claim a slice of their heritage. |
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| 1
The editor maintains
that the moral of this story is that one should avoid making lovey-dovey
with the unhinged.
2
images by Francis
Powell
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Views expressed
on this page may or may not be representative of The Bohemian
Aesthetic or its founder. All materials appearing on this Web
site are copyrights of patsymooreDOTcom, respective authors,
or original sources.
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