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emily zuzik interview |
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commentary
by peter quinones
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10 september 2006 |
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special
assignment | volume 1
number 3
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"Every
human is an artist. And this is the main art that we have:
the creation of our story." -Don Miguel Ruiz
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| published
since May 2006 | Special Assignment is a series of artists'
profiles, events spotlights, and interviews. |
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Peter
Quinones
(eMail Web
site), a resident of Brooklyn,
New
York, is currently working on a book about contemporary literature
and its relationship to the culture as a whole. Several notable
authors, interviewed by Peter for The Bohemian Aesthetic,
are assisting him with that project.
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It takes a number
or two for Emily
Zuzik's audience to warm up and "get it"; but, by the
third song, everybody's bouncing off the walls. Not too long
ago, the grooves in her music grabbed the crowd at the release party
for her brand new CD, You
Had Me At Goodbye, held at the New York club Pianos.
Zuzik's outstanding bandfeaturing Gerald Menke,
Tim Lefebvre, Leslie
Mendelson, and Tom Curianohelped her demonstrate that the
recent
review in the Village Voice, giving the disc an enthusiastic 'thumbs
up', was right on the money.
If you think Emily Zuzik looks familiar, it may be that you've seen
her in a bookstore: she graces the cover of the latest edition of one
of Ian
Fleming's best James Bond novels, Thunderballa
great biographical fact to have for a person doing a tour of England,
which Zuzik will be, later this year, along with Will
Hawkins.
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"This one,"
Zuzik says, pointing to a copy of her first CD and sipping a bottle
of water in a West Village Dean & DeLuca, "was the one that
I just got out there because I wanted to have a CD with my name on it.
The lo-fi urban gritty album. But this one..." meaning her
latest release...and her voice trails off. It's not necessary to finish.
Though Way
Its Got to Be
contains some great material, the new disc was produced by Joshua
Kessler (who just recorded a gold record for The Bravery) and recorded
at his state-of-the-art Bushwick
Studio, in Brooklyn. In addition to working with a top producer,
Zuzik also had the benefit of being joined by some of the most in-demand
players on the New York sceneLefebvre on bass, Keith
Carlock on drums, Dan
Mintseris on keys. She says that, on the new disc, she's more of
a singer, more confident in using her voice as an instrument. She mentions
Ann
Wilson and John
Lennon as specific vocal influences, but Zuzik listens to everything.
"I can remember the first time I heard Madonna's
'Borderline'. Nothing that came before ever sounded like that. And the
whole thing with the fishnets and such; it was very cool being a teenage
girl, then, you know, with all the posturing that goes on. Everything
seems so dire when you're that age," she laughs. She even mentions
Kylie
Minogue as another in the vein of fun, catchy dance music.
Zuzik grew up in
a part of Pennsylvania where the most accessible music on the radio
was classic rockbands like Led
Zeppelin, the
Stones, Boston,
and Pink
Floyd. It was only later that she discovered New
Wave and groups such as The
Cure and Depeche
Mode. All these influences may be heard in her own music, as well
as a dash of country. "I like Jerry
Reed, or [things] like Linda
Ronstadt singing 'When Will I Be Loved' . It's not exactly straight-ahead
country. 'More like rock and roll with a country influence." She
backed this up with a convincing version of the Patsy
Cline tune "I Was Wrong" at her CD party performance.
Zuzik's also got a collaborative project going on, with Lefebvre, called
Mz., which creates trip-hop electronica tunes, richly mysterious
and deeply evocative of the city at night.
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Views expressed
on this page may or may not be representative of The Bohemian
Aesthetic or its founder. All materials appearing on this Web
site are copyrights of patsymooreDOTcom, respective authors,
or original sources.
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