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edgar
allen poe + james mason
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larry and sonia wright
billy
collins + juan delcan
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chris
wedge + tom waits + kathleen brennan
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jack
kerouac + steve allen
lemon
jelly
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chuck
jones + robert morley
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charlie
parker + dizzy gillespie
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| broadcast
15 june 2007 |
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bohoTV
| volume 1
number 2
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"The
artist...knowing that he can never create anything on
his own account, out of the top layers of his personal
consciousness, he submits obediently to the workings of
inspiration; and knowing that the medium in which we works
has its own self nature, which must not be ignored or
overridden, he makes himself its patient servant and,
in this way, achieves freedom of expression." -Aldous
Huxley
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The
Tell-tale Heart (07:47) |
James
Mason narrates this animated version of Edgar
Allen Poe's famous short story of the same title. (Copyright
© 1954 Columbia Pictures)
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Larry
Wright Performs - NYC Subway
(01:28)
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Larry
Wright is a well known New
York City busker. He's credited as the first major drummer
to use five-gallon plastic buckets in lieu of a traditional
drum kit. Larry uses his foot to lift the buckets, thereby affecting
their sound patterns. His wife, Sonia, drums with him, here.
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| "The
Dead" (00:54)
| U.S. Poet Laureate Billy
Collins reads his poem "The Dead", set to
animation by Juan
Delcan, an internationally experienced live action
director, who currently acts as Creative Director for
New York-based Nola
Pictures. Delcan's heart-thumping sequences have served
television networks from Germany
to Spain
to the
U.S.' PBS
Kids and NBC.
Not shy about expressing himself artistically, Juans
illustration work is equally arresting and emotive; U2
took notice and commissioned it to be animated to provide
the backdrop for the band's live performances of "Yahweh". |
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| The
Dead |
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| The
dead are always looking down on us, they say. |
| While
we are putting on our shoes or making a sandwich, |
| they
are looking down through the glass-bottom boats of Heaven, |
| as
they row themselves slowly through eternity. |
| They
watch the tops of our heads moving below on earth, |
| and
when we lie down in a field or on a couch, |
| drugged,
perhaps, by the hum of a warm afternoon, |
| they
think we are looking back at them, |
| which
makes them lift their oars and fall silent and wait, like
parents, |
| for
us to close our eyes. |
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Bunny
(07:16)
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This animated short film by Chris
Wedge won an Academy
Award in 1998. It is featured on the Ice Age: Super
Cool Edition 2nd DVD.
Plot: Baking alone in her kitchen,
tattered old Bunny receives a troublesome late-night visitoran
insistent moth that stirs her fears and memories. Music is
by Tom
Waits and Kathleen
Brennan.
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Jack
Kerouac Explains On the Road (09:29) |
After an interview, Jack
Kerouac, accompanied by pianist Steve
Allen, reads his reason for writing.
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"Nice
Weather for Ducks" (03:57) |
Lemon
Jelly, the British
electronica duo consisting of Nick
Franglen and Fred Deakin,
released this single in 2003. It rose to #16 on the
UK
pop chart.
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The
Dot and the Line: A Romance in Lower Mathematics (09:59)
| The Dot and the Line: A Romance in Lower Mathematics
is a book
written and illustrated by Norton
Juster, first published by Random
House in 1963. The title is an obivious reference to Flatland:
A Romance of Many Dimensions, by Edwin
Abbott Abbott.
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| In
1965, famed animator Chuck
Jones and the MGM
Animation/Visual Arts studio adapted The Dot and the Line
into a 10-minute animated short film for Metro-Goldwyn-Mayer,
narrated by Robert
Morley. The Dot and the Line won the 1965 Academy
Award for Animated Short Film. Five years later, Jones turned
another Juster book into an animated feature film, The
Phantom Tollbooth. |
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| The
Story:
This is the anguished tale of a sensible straight line who falls
in love with a dot. The dot, however, finding the line stiff,
dull, and conventional, turns her affections toward a wild and
unkempt squiggle. Though dejected, the line was not without determination,
and, after much concentration, managed to bend himself, giving
rise to shapes so complex he had to letter his sides and angles
to keep his place. Before long, he was able to express himself
in any shape he wishedfrom helices to spider webs to Paul
Klee's little jester. Overwhelmed by the line's geometric
contortionistic prowess, the dot realized that what she had seen
in the squiggle to be freedom and joy was nothing more than chaos
and sloth. Thence, the line and the dot lived "if not happily
ever after, at least reasonably so". |
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| The
story, in Juster's words, "is a romance destined to take
its place among the immortal works of our literature. But is it
merely a poignant and exquisite evocation of an eternal theme?
A sensitive, soul-searching examination of an essential problem?
Or is it rather, in these uncertain times when man stands alienated
from the very meaning of life, itself, more like a beacona
shaft of light illuminating a path to some higher understanding?
We doubt it." |
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| Trivia:
To give the squiggle in the animated cartoon adaptation an unkempt
appearance, the animation drawings were inked on rice paper. The
ink bled, creating a textured line that was then Xeroxed onto
cel. (Copyright © 1965 MGM) |
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Charlie
Parker and Dizzy Gillespie perform "Hot House" (05:25)
| rare footage of the two jazz greats playing the bebop standard
by Tadd
Dameron; "Hot House" was based on chords from
Cole
Porter's "What is This Thing Called Love?"
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