let's watch a girl get beaten to death (abridged)
commentary by joss whedon
published 15 june 2007
originally published 20 may 2007 in the blog whedonesque
 
advanced notions | volume 3 number 16
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"The words you choose...are just as important as the decision to speak."
-author unknown
 
published since January 2003 | Advanced Notions (formerly Bonus Writings, a well-received section of patsymooreDOTcom) consists of engrossing 'think pieces' by friends and favorites.

For these pages, artists of varied disciplines are invited to make contributions related to topics they deem noteworthy. We also encourage non-artists to submit musings about Art.

Just contact us: my2cents@patsymoore.com.
 
 
Born in Sweden, Ann Telnaes' (eMailWeb site) editorial cartoons are syndicated with Cartoonists and Writers Syndicate/New York Times Syndicate. Her work has appeared in such prestigious publications as The Washington Post, The Boston Globe, Le Monde, Courrier International, The Chicago Tribune, Los Angeles Times, Newsday, The New York Times, Austin American-Statesman, The American Prospect, and Ms. magazine. Telnaes also contributes an exclusive weekly cartoon to Women's eNews, an online news service.
 
Telnaes' work was shown in a solo exhibition at the Great Hall in the Thomas Jefferson Building of the Library of Congress, in 2004. Her first book, Humor's Edge: Cartoons by Ann Telnaes (2004), was published by Pomegranate Press and the Library of Congress. Her work has also been exhibited in Paris and Jerusalem.
 
Ann Telnaes attended California Institute of the Arts and graduated with a Bachelor of Fine Arts degree, specializing in character animation. Before beginning her career as an editorial cartoonist, Telnaes worked as a designer, for several years, at Walt Disney Imagineering. She has also animated and designed for various studios in London, Los Angeles, New York and Taiwan. (Copyright © 2001 Tribune Media Services, Inc. All rights reserved.)
 
 
 

 
 
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Last month, seventeen-year-old Du'a Khalil was pulled into a crowd of young men, some of them (the instigators) family, who then kicked and stoned her to death. This is an example of the breathtaking oxymoron "honor killing", in which a family member (almost always female) is murdered for some religious or ethical transgression. Du'a Khalil, who was of the Yazidi faith, had been seen in the company of a Sunni Muslim, and possibly suspected of having married him or converted. That she was torturously murdered for this is not, in fact, a particularly uncommon story. But now you can watch the action up close on CNN. Because as the girl was on the ground trying to get up, her face nothing but red, the few in the group of more than twenty men who were not busy kicking her and hurling stones at her were filming the event with their camera-phones.


There were security officers standing outside the area doing nothing, but the footage of the murder was taken—by more than one phone —from the front row. Which means whoever shot it, did so not to record the horror of the event, but to commemorate it. To share it. Because it was cool.


I could start a rant about the level to which we have become desensitized to violence, about the evils of the voyeuristic digital world in which everything is shown and everything is game; but , honestly, it's been said. And I certainly have no jingoistic cultural agenda. I like to think that, in America, this would be considered unbearably appalling; that Kitty Genovese is still remembered; that we are more evolved. But coincidentally, right before I stumbled on this vid, I watched the trailer for Captivity.


A few of you may know that I took public exception to the billboard campaign for this film, which showed a concise narrative of the kidnapping, torture and murder of a sexy young woman. I wanted to see if the film was perhaps more substantial (especially given the fact that it was directed by The Killing Fields' Roland Joffé) than the exploitive ad campaign had painted it. The trailer resembles nothing so much as the CNN story on Du'a Khalil. Pretty much all you learn is that Elisha Cuthbert is beautiful, then kidnapped; inventively, repeatedly and horrifically tortured; and that the first thing she screams is "I'm sorry".


"I'm sorry."


What is wrong with women?


I mean 'wrong'. Physically. Spiritually. Something unnatural, something destructive, something that needs to be corrected.


How did more than half the people in the world come out incorrectly? I have spent a good part of my life trying to do that math, and I'm no closer to a viable equation. And I have yet to find a culture that doesn't buy into it. Women's inferiority—in fact, their malevolence— is as ingrained in American popular culture as it is anywhere they're sporting burkhas. I find it in movies, I hear it in the jokes of colleagues, I see it plastered on billboards—and not just the ones for horror movies. Women are weak. Women are manipulative. Women are somehow morally unfinished. (Objectification: another tangential rant avoided.) And the logical extension of this line of thinking is that women are, at the very least, expendable.


I try to think how we got here. The theory I developed in college (shared by many, I'm sure) is one I have yet to beat: Womb Envy. Biology: women are generally smaller and weaker than men. But they're also much tougher. Put simply, men are strong enough to overpower a woman and propagate. Women are tough enough to have and nurture children—with or without the aid of a man. Oh, and they've also got the equipment to do that, to be part of the life cycle, to create and bond in a way no man ever really will. Somewhere, a long time ago, a bunch of men got together and said, "If all we do is hunt and gather, let's make hunting and gathering the awesomest achievement, and let's make childbirth kinda weak and shameful." It's a rather silly simplification, but I believe—on a mass, unconscious level—it's entirely true. How else to explain the fact that cultures who would die to eradicate each other have always agreed on one issue? That every popular religion puts restrictions on women's behavior that are practically untenable? That the act of being a free, attractive, self-assertive woman is punishable by torture and death? In the case of this upcoming torture-porn, fictional. In the case of Du'a Khalil, mundanely, unthinkably real. And both available for your viewing pleasure.


It's safe to say that I've snapped. That something broke, like one of those robots you can conquer with a logical conundrum. All my life I've looked at this faulty equation, trying to understand, and I've shorted out. I don't pretend to be a great guy; I know really, really well about objectification, trust me. And I'm not for a second going down the "women are saints" route; that just leads to more stone-throwing (and occasional Joan-burning). I just think there is the staggering imbalance in the world that we all just take for granted. If we were all told the sky was evil—or, at best, a little embarrassing—and we ought not look at it, wouldn't that tradition eventually fall apart? (I was going to use ‘trees' as my example; but, at the rate we're getting rid of them, I'm pretty sure we really do think they're evil. See how all rants become one?)


Now, those of you who frequent this site are, in my wildly biased opinion, fairly evolved. You may hear nothing new here. You may be way ahead of me. But I can't contain my despair—for Du'a Khalil, for humanity, for the world we're shaping. Those of you who have followed the link I set up know that it doesn't bring you to a video of a murder. It brings you to a place of sanity, of people who have never stopped asking the question of what is wrong with this world and have set about trying to change the answer. Because it's no longer enough to be a decent person. It's no longer enough to shake our heads and make concerned grimaces at the news. True enlightened activism is the only thing that can save humanity from itself. I've always had a bent towards apocalyptic fiction, and I'm beginning to understand why. I look and I see the earth in flames. Her face was nothing but red.


All I ask is this: Do something. Try something. Speaking out, showing up, writing a letter, a check, a strongly-worded eMail. Pick a cause; there are few unworthy ones. And nudge yourself past the brink of tacit support to action. Once a month, once a year, or just once. If you can't think of what to do, there is this handy link. Even just learning enough about a subject so you can speak against an opponent eloquently makes you an unusual personage. Start with that. Any one of you would have cried out, would have intervened, had you been in that crowd in Bashiqa. Well thanks to digital technology, you're all in it, now.


I have never had any faith in humanity. But I will give us props on this: if we can evolve, invent and theorize our way into the technologically magical, culturally diverse and artistically magnificent race we are, and still get people to buy the idiotic idea that half of us are inferior, we're pretty amazing. Let our next sleight of hand be to make that myth disappear.


The sky isn't evil. Try looking up.

 
 
 

Joss Hill Whedon (born Joseph Hill Whedon on 23 June 1964, in New York) is an American writer, director, executive producer, and creator of the well-known television series "Buffy the Vampire Slayer", "Angel", and "Firefly". He has also written several film scripts and several comic book series. After finishing at Winchester College, in England, he went on to receive a film degree from Wesleyan University, in 1987. -Wikipedia

 
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