old greek stories (abridged)
commentary by james baldwin
published 31 may 2008
taken from the preface to the book old greek stories, 1895, by james baldwin
 
advanced notions | volume 3 number 18
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"The words you choose...are just as important as the decision to speak." -author unknown
 
published since January 2003 | Advanced Notions (formerly Bonus Writings, a well-received section of patsymooreDOTcom) consists of engrossing 'think pieces' by friends and favorites.

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French academic painter William-Adolphe Bouguereau (30 November 1825 – 19 August 1905) was born in La Rochelle, France into a family of wine and olive oil merchants. He seemed destined to join the family business but for the intervention of his uncle Eugène, a curate, who taught him classical and biblical subjects, and arranged for Bouguereau to go to high school. Bouguereau showed artistic talent early on and his father was convinced by a client to send him to the École des Beaux-Arts in Bordeaux, where he won first prize in figure painting for a depiction of Saint Roch. To earn extra money, he designed labels for jams and preserves.


Through his uncle, Bouguereau was given a commission to paint portraits of parishioners, and when his aunt matched the sum he earned, Bouguereau went to Paris and became a student at the École des Beaux-Arts. To supplement his formal training in drawing, he attended anatomical dissections and studied historical costumes and archeology. He was admitted to the studio of François-Edouard Picot, where he studied painting in the academic style. Academic painting placed the highest status on historical and mythological subjects and Bouguereau won the coveted Prix de Rome in 1850, with his "Zenobia Found by Shepherds on the Banks of the Araxes". His reward was a stay at the Villa Medici in Rome, Italy, where, in addition to formal lessons, he was able to study, first-hand, the Renaissance artists and their masterpieces.


An early reviewer stated, "M. Bouguereau has a natural instinct and knowledge of contour. The eurythmie of the human body preoccupies him, and in recalling the happy results which, in this genre, the ancients and the artists of the sixteenth century arrived at, one can only congratulate M. Bouguereau in attempting to follow in their footsteps...Raphael was inspired by the ancients...and no one accused him of not being original." -Wikipedia

 
 
 

 
 
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Perhaps no other stories have ever been told so often or listened to with so much pleasure as the classic tales of ancient Greece. For many ages, they have been a source of delight to young people and old; to the ignorant and the learned; to all who love to hear about and contemplate things mysterious, beautiful, and grand. They have become so incorporated into our language and thought, and so interwoven with our literature, that we could not do away with them now if we would. They are a portion of our heritage from the distant past, and they form perhaps as important a part of our intellectual life as they did of that of the people among whom they originated.


That many of these tales should be read by children at an early age no intelligent person will deny. Sufficient reason for this is to be found in the real pleasure that every child derives from their perusal. Attempts at analysis and explanation will always prove fatal to a child’s appreciation and enjoyment of such stories. To inculcate the idea that these tales are merely descriptions of certain natural phenomena expressed in narrative and poetic form is to deprive them of their highest charm; it is like turning precious gold into utilitarian iron; it is changing a delightful romance into a dull scientific treatise. The wise teacher will take heed not to be guilty of such an error.

 
 
 

According to his biography in the Junior Book of Authors (1951), James Baldwin (1841 - 1925), a native of Indiana and largely self-educated, began teaching at age 24. After several years, he became superintendent of the graded schools in Indiana, a post he held for 18 years. The last 37 years of his life, he worked with publishers—first with Harper and Brothers and later with the American Book Company. In addition to editing school books, he began writing books of his own. After the publication, in 1882, of The Story of Siegfried, he went on to write more than 50 others. His influence was widely felt because, at one time, it was estimated that of all the school books in use in the United States, over half had been written or edited by him. Unfortunately, his works are much less widely known today.

 
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